SILVIA HELL


Silvia Hell’s work takes the form of sculpture, photography, site-specific installations, time-based media and interdisciplinary projects.

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A Form of History traces the history of the European countries as a function of their territorial evolution over 150 years. The focus is placed on the complex reconfigurations of Europe’s physiognomy between 1861 and 2011, studying the evolution of the territorial expansion of the member states including colonies, to which an analytical re-mapping strategy is applied. → A Form of History
The cycle of works O, B, A, F, G, K, M (after the system developed by US astronomer Annie Jump Cannon) represents an investigation into cosmology that reflects the human desire to broaden our knowledge of the universe.→ O, B, A, F, G, K, M

The Themis installation at terraXcube intends to give voice to the elements of nature – air, water, earth and fire – whose complex and delicate interaction creates and sustains life, but which can also destroy it if not kept in balance. → Themis

Nature for Strings is an audio-video installation.
Music by Antonio Giuranna.
Video footage of natural elements taken with a smartphone, sometimes using macroscopic lenses, is superimposed to tell two parallel stories that alter their colours, giving rise to a kaleidoscopic perception of nature and the coexistence of beings.
→ Nature for strings
Horizon Deep is an environmental audio-video installation.
Silvia Hell and musician Nicola Ratti imagine ‘measuring’ Brixen Cathedral Square by recording the echoes and reverberations generated within it. Like a sonar, these sounds allow us to perceive the dimensions, distances and depths; the urban landscape thus metaphorically becomes a landscape of the deep sea. These sounds form the acoustic element that combines with the video installations on biodiversity and bioluminescence in the deep sea.
→ Horizon Deep
Under the heading Volumes, there are a series of sculptures as a result of text processing. → Volumes
The Air series opens up an exploration of a particular space of knowledge, in which the apparent objectivity of data and information is constantly negotiated with the instability of human habits and environments.→ Air
The Wind Pressure Concert is about the subject of air through the use of music and visual. In a sort of space-time circuit, a composition is created using two contexts that have never communicated before. Wind Pressure Concert
Lightsourcing consists of an environmental video installation and a photographic series.
Clusters representing the coding and three-dimensional rendering of image search words entered into the Google browser / pure architectural presence / a number of gestures and glances at the architecture, lighting and electronic devices.
→ Lightsourcing