1, 2, Air Milano, UV flatbed print on piano roll, frame, various sizes, installation view, Increasing the Wind Pressure, A+B gallery, Brescia, IT, 2018. Ph: Petrò / Gilberti
3, Air Milano Turkey Trot 20110511 - 20120101, 2018, UV flatbed print on piano roll, frame, 35,7 x 37,5 cm. Ph: Petrò / Gilberti
4, 5, 6, 7, Air Milano, UV flatbed print on piano roll, frame, various sizes, installation view, The Uncanny Valley, FuturDome, Milano, IT, 2019. Ph: Cosimo Filippini
8, The Uncanny Valley, Exhibition catalogue, EAU&GAZ, 2019
The Air series opens up an exploration of a particular space of knowledge, in which the apparent objectivity of data and information is constantly negotiated with the instability of human habits and environments.
Closer examination brings out a spectrum of exceptional events, made possible by the coexistence of different sign systems.
Air oscillates between subtle presence and a global representation, calling on us to experience the volatility of written knowledge when merged with the various ideas of freedom that lie within our interpretations of living.
In 2008, the European Parliament produced a reference text to monitor air quality. I decided to approach this document as if it were a song; instead of reading it, I started to sing it repeatedly on blues bases. I am interested in the rhythm of information, the possibility of a regulation being imprinted in an emotional substrate.
Emphasis was placed on the importance of public information on air quality and on making the data public. I asked for these data, wondering whether through them I could witness some form of expression of reality. I decided to use this raw material and turn it into a visualisation so as to bring out an air score.
The works in the Air series are prints on special perforated papers. A seven-colour system is available on the length and height of the surface, introducing a flow of information. It is a representation of the values of the main potentially harmful substances present in the air, recorded by the Municipality of Milan over the last ten years.
A different substance is associated with each colour (PM 10, black; PM 2.5, light blue; nitrogen dioxide, red; sulphur dioxide, light grey; benzene, green; carbon monoxide, yellow; ozone, dark blue). Time flows from left to right, one millimetre corresponding to one day. The paper is sectioned vertically by five intervals, and the value of each substance is placed in one of the five registers according to its average value on a certain day. The highest band marks a good value, the lowest one a bad value. The choice of the substances and their division into five bands follows the guidelines on air assessment standardised by Directive 2008/50/EC of the European Parliament and of the Council held on 21 May 2008. It also refers on how Arpa Lombardia, where the data come from, determines and communicates the five intervals.
The perforated papers are segments of different piano rolls acquired from a private collection in Milan. They were produced between 1910 and the early 1930s and used to record a pianist’s performances. Thus a player piano can reproduce the pieces automatically thanks to a pneumatic system that executes the original performance without the performer. The composition of the wall works follows the temporal logic relative to the writing of the substances present in the air. When objects overlap, we can see the same data frame is printed onto different musical motifs.
Increasing the Wind Pressure, solo exhibition, A+B gallery, Brescia, IT
Interview with Silvia Hell | A+B Gallery, ATP Diary [ITA]
Wind Pressure Concert, 2019
19.09. > 8.30 PM, Transart19, Museion, Bolzano, IT
1, 2, 12, Wind Pressure Concert, 2019, Museion, documentation stills ©Festival Transart/Max Valenti
3, 4, 5, 6, 7, Wind Pressure Concert, 2019, Museion. Ph: ©Festival Transart/Gregor Khuen Belasi
8, 9, 10, 11 Wind Pressure Concert, 2019, Museion
by Silvia Hell
Enrico Pompili, Piano
Mark Markin, Maximilian Pellizzari, Machine operators
The work is projected by the machine of colorful light play by the artist Ludwig Hirschfeld-Mack (reconstruction 1923-1999, Museion Collection).
// For the 100 years of the Bauhaus
Thanks to the collaboration between Transart, Museion and SKB - Südtiroler Künstlerbund.
The Wind Pressure Concert is about the subject of air through the use of the piano and projection. In a sort of space-time circuit, a composition is created using two contexts that have never communicated before. The work Wind Pressure Concert_score_for Ludwig Hirschfeld-Mack Lichtspielapparat_Aria Milano 1972–2017 / Aria Bolzano 2008–2017 by Silvia Hell is a chronology of seven polluting substances that were monitored in the air in the two cities. The same language the artist used to display it will be re-encoded and interpreted by the pianist Enrico Pompili. Transboundary air pollution!
Wind Pressure Concert, documentation video
Wind Pressure Concert, score and track, ON AIR, a project by Juan Pablo Macías & Alessandra Poggianti for Carico Massimo
Scored Air, 2019
video, 5’ 3’’ loop, music Enrico Pompili
Museion Media Façade, curated by Frida Carazzato
1, 2, 3, Scored Air, 2019, HD video, 5’ 3’’ loop, music Enrico Pompili. Ph: Othmar Seehauser/Museion
4, 5, 6, 7, Scored Air, 2019, HD video, 5’ 3’’ loop, music Enrico Pompili
The visual and musical performance of the Wind Pressure Concert is recoded for the media façade. Scored Air is focused on ten years of seven polluting substances that were monitored in the air of Bolzano.
Wind Pressure Concert, 2021
Sunday 10 October
1.30 pm at the Monopteros in the English Garden
4 pm at the Isar in front of St. Maximilian Church
1 - 27, Wind Pressure Concert, 2021, 4k video, 38’ 25”, audio recording Attila Faravelli, video Davide Pompejano and Silvia Hell, editing Davide Pompejano, En Plein Air, Munich
Wind Pressure Concert
For diverse orchestra, audience and fine dust particles
by Silvia Hell
in collaboration with Frida Split and Nicola Ratti and musicians from Embryo and the Express Brass Band
curated by Emily Barsi
Director Frida Split
Trombone Marja Burchard
Percussion Fabricius Burkhard
Trombone Teresa Gruber
Tenor sax Michele Lorenzini
Trumpet Gergely Lukács
Soprano sax Maasl Meier
Tenor sax Gonçalo Mortagua
Tuba, Flute Wolfi Schlick
The score of the Wind Pressure Concert consists of the data on fine dust particles between the years 1980 – 2020, which Silvia Hell researched and collected from the public archives in Munich and Milan.
The data is divided into PM 2.5 and PM 10, and reflects the daily levels of pollution over that forty-year timespan.
The score branches out, triggering a quantum effect on the two composers, from them to the musicians and passers-by, who are also involved in the performance.
Frida Split conducts the musicians using the improvisational ‘Conduction’ method.
The audience interaction is guided by Nicola Ratti’s score, with the help of their smartphones.
Thus, three scores emerge and resonate with one another. All refer to the scientific data but also deviate from it to build momentum on various scales: a linear and progressive chronology fluctuating between the chaotic and the cosmic.
En Plein Air
A Kunstraum München guest project
In collaboration with ‘On Air’ Carico Massimo
In cooperation with VARIOUS OTHERS 2021
EN PLEIN AIR 2021 is funded by the City of Munich Department of Arts and Culture and the Kunstraum München.
We kindly thank the Casa degli Artisti in Milan and Sclupet for their generous support.
Wind Pressure Concert, 2021
Saturday 16 October, 6 pm
Silos Granario, Port of Livorno, IT
1 - 6, Wind Pressure Concert, 2021, HD video, 56’ 19”, recorded, edited and masterised by Juan Pablo Macías 2021 [extract]
7 - 12, Wind Pressure Concert, 2021, Silos Granario, Livorno. Projection of Juan Pablo Macías’s work skyscapes_on cloud-life. Ph: Iacopo Seri
by Silvia Hell
Piano performance by Marco Lenzi
With an introduction to the concert by Silvia Hell and Marco Lenzi
+ happening by Iacopo Seri
Wind Pressure Concert is a concert for piano and particulate matter conceived by the artist Silvia Hell, performed and interpreted by Marco Lenzi in the Silos Granario in the Port of Livorno, recently reopened to the public.
In a sort of space-time short circuit, a composition centred around air will be experienced.
The Wind Pressure Concert score concerns the concentrations of particulate matter, PM 2.5, recorded in the air of Livorno from 2008 to 2020. The data, which may be consulted publicly, reflect the daily average values of airborne dust and come from the historical Arpat archives.
The regulations adopted to fight pollution foresee thresholds and limits not to be exceeded on a daily and annual basis, but the way these are communicated varies between the different geographical areas examined.
The score uses this ‘discrepancy’ as a source of potential for the musician Marco Lenzi, and will consist of a chronology of PM 2.5 concentrations recorded at the station closest to the port of Livorno – via Carducci – from 2008 to 2020, with two different air-quality interval systems: one determined by Arpat Toscana and the other by Arpa Lombardia. Lenzi freely encodes the score and performs it on the piano.
“The atmosphere of Livorno anticipated this event from afar, accompanying me to Milan and elsewhere. I immersed myself in Juan Pablo Macías’s work skyscapes_on cloud-life, which updated On Air every day, and on this occasion a collaboration was created, projecting the archive of Livorno skies during the concert at the Silos Granario.” — Silvia Hell
ON AIR Carico Massimo
curated by Juan Pablo Macías & Alessandra Poggianti
in collaboration with Eva Brioschi, Valentina Costa, Iacopo Seri and Daniela Tazzi
a project part of AIR TIME
in partnership with the Little Bit Festival, Livorno
and with En plein air Gastprojekt des Kunstraum München
recorded, edited and masterised
by Juan Pablo Macías 2021
Wind Pressure Concert, video, score and track, ON AIR - a project by Juan Pablo Macías & Alessandra Poggianti for Carico Massimo
1 - 8, Wind Pressure Concert_score_for Ludwig Hirschfeld-Mack Lichtspielapparat_Aria Milano 1972 - 2017 / Aria Bolzano 2008 - 2017, 2019, 8 lambda prints on duraclear, 38,6 x 150 cm each, Museion Collection
1 - 13, Wind Pressure Concert, 2021, score, print on paper, 8 parts, each 10 x 15 cm, En Plein Air, Munich